New Orleans Artists Original Art by Stan and Eloise Fontaine
e-flux Announcement
Posted: February one, 2022
Subjects
Cosmism, Immortality, Russia
Art Criticism
Posted: October seven, 2021
Subjects
Cosmism, Russian federation, Revolution, Curating
east-flux Proclamation
Posted: September 1, 2021
Category
Film, Philosophy
Subjects
Cosmism, Russian federation, Constructivism, Transhumanism
due east-flux Announcement
Posted: Baronial 3, 2021
Subjects
Publishing, Libraries & Archives, Russian federation
due east-flux Announcement
Posted: Apr 27, 2021
Subjects
Cosmism, Soviet Wedlock, Russia
east-flux Annunciation
Posted: January 26, 2021
e-flux Announcement
Posted: Nov 13, 2020
Subjects
Covid-xix, Virtual & Augmented Reality
Art Criticism
Posted: October 2, 2020
Subjects
Crunch, Fine art Criticism, Covid-19
Fine art Criticism
Posted: June 29, 2020
Category
Labor & Piece of work, Economic system
Subjects
Covid-19, Childhood & Youth, Portraits, Temporality
Art Criticism
Posted: June 8, 2020
Subjects
Video Art, Covid-19, Experimental Flick
# 110
God-Building equally a Work of Fine art: Cosmist Aesthetics
Anton Vidokle and Irmgard Emmelhainz
A conversation most immortality acquires a lot more pregnant when we are in the heart of a pandemic and so many people are sick and dying. I think this present moment is a flake similar to the original context that triggered cosmism: all the epidemics, droughts, and famines in nineteenth-century Russia. But now at that place is likewise the fear of planetary ecological plummet and extinction, and in this context the idea of resurrection becomes much more urgent. There is too a sure hopelessness produced by the decline of reason and social progress, both of which have been encountering countless setbacks in contempo decades. All of this makes the febrile optimism of cosmism meaningful and moving, in my opinion.
east-flux Journal
Posted: June 1, 2020
Category
Interviews & Conversations, Avant-Garde, Utopia, Aesthetics, Film
Subjects
Covid-19, Cosmism, Russia, Death, Health & Disease, Science, Immortality
Art Criticism
Posted: April 30, 2020
Category
Contemporary Art
Subjects
Art Criticism, Historicity & Historiography
eastward-flux Proclamation
Posted: April 21, 2020
Subjects
Cosmism, Biennials, Artistic Inquiry
Art Criticism
Posted: March 19, 2020
Category
Race & Ethnicity, Painting
Subjects
Biennials, Racism, Decolonization, Textiles & Fiber Fine art
# 106
Art and Sovereignty
Anton Vidokle
In the landscape that is gradually emerging, it's non so fantastical to imagine the eventual replacement of all international exhibitions with beer festivals, local nutrient and craft fairs, or other types of events that reaffirm a particular identity and sense of belonging, rather than offering an encounter with something or someone outside of that tightly constructed identify. It's also becoming possible to imagine a reduction or even a termination of human move: from the reemergence and fortification of numerous national borders, to increasing visa restrictions and the exclusion of entire religions or nationalities from entering certain countries, to perchance requiring a permit to leave. I grew up in the Soviet Union and I do remember living in a regime under which you can't leave the country without permission from the state.
due east-flux Journal
Posted: February 6, 2020
Category
Contemporary Fine art, Borders & Frontiers, Nationalism, Museums
Subjects
Curating, Autonomy, Authoritarianism, Liberalism
# 102
The Visitor as a Commercial Partner: Notes on the 58th Venice Biennale
Claire Fontaine
The times we are living in are indeed "interesting," as the title of this edition of the Biennale states: they resonate with a city awaiting the verdict of the forty-third session of the World Heritage Committee, which will likely add Venice to its Listing of Earth Heritage in Danger. Venice's livelihood comes precisely from what is killing it (biennials included): if tourism were regulated, the economic survival of the metropolis would be at risk; at the same time, if it continues to impact the environment of Venice the mode it does now, the precious stone of the lagoon will soon be destroyed. In that location are other structural problems related to the ethics of giant exhibitions: accumulation, nosotros all confusedly feel, is damaging for fine art in full general and gimmicky art in particular. The implicit equivalence that is made when such large amounts of artworks are simultaneously displayed by private and public institutions on the same limited territory is frightening.
due east-flux Journal
Posted: September 5, 2019
Category
Contemporary Art
Subjects
Biennials, Art Market, Tourism
Art Criticism
Posted: July xix, 2019
Category
Language & Linguistics
Subjects
Animals, Biennials
Fine art Criticism
Posted: July 1, 2019
Subjects
Biennials, Site-Specific Art, Public Space, Time
Art Criticism
Posted: May thirteen, 2019
Category
Race & Ethnicity, Nationalism, Migration & Immigration
Subjects
Biennials, Artificial intelligence, Climate change, Water & The Sea
Fine art Criticism
Posted: March xviii, 2019
Category
Migration & Immigration, Colonialism & Imperialism, Performance
Subjects
Biennials, Southeast Asia
Art Criticism
Posted: November 21, 2018
Subjects
Biennials, Video Art, Outer Space
Art Criticism
Posted: September 25, 2018
Category
Migration & Immigration, Architecture
Subjects
Plants & Forests, Surround, Biennials
Art Criticism
Posted: September xix, 2018
Category
Borders & Frontiers, Land & territory
Subjects
Biennials, Decolonization, Cold war, Futures
Art Criticism
Posted: June 20, 2018
Category
Compages, Migration & Immigration
Subjects
Biennials, Plants & Forests
Urban Village
Nick Axel, Hou Hanru, Nikolaus Hirsch, Liu Xiaodu, Meng Yan, Liu Qingyuan, Stephan Petermann, AbdouMaliq Simone, Saskia Sassen, Michiel Hulshof, Daan Roggeveen, M. Christine Boyer, Nikos Papastergiadis, Joshua Bolchover, Feng Yuan, and Juan Du
Compages Project
Posted: April 27, 2018
Subjects
China, Housing & Real Estate, Center & Periphery, Networks, Public Space
Source: https://www.e-flux.com/search?s%5B0%5D=Covid-19&s%5B1%5D=Internationalism&s%5B2%5D=Biennials&s%5B3%5D=Libraries+%26+Archives&s%5B4%5D=Russia&s%5B5%5D=Curating&s%5B6%5D=China&s%5B7%5D=Covid-19&s%5B8%5D=Virtual+%26+Augmented+Reality&s%5B9%5D=Revolution&s%5B10%5D=Realism&s%5B11%5D=Plants+%26+Forests&s%5B12%5D=Art+Criticism&s%5B13%5D=Biennials&p%5B0%5D=Hito+Steyerl&p%5B1%5D=Gordon+Bennett&p%5B2%5D=Arseny+Zhilyaev&p%5B3%5D=Hito+Steyerl&p%5B4%5D=Rojava+Film+Commune&p%5B5%5D=Rotor&p%5B6%5D=Rojava+Film+Commune&p%5B7%5D=James+Bridle&p%5B8%5D=Harun+Farocki&p%5B9%5D=Trevor+Paglen&p%5B10%5D=Omar+Kholeif&p%5B11%5D=Ella+Kruglyanskaya&p%5B12%5D=Lawrence+Abu+Hamdan&p%5B13%5D=Shilpa+Gupta&p%5B14%5D=Ibrahim+Mahama&p%5B15%5D=Mongezi+Ncaphayi&p%5B16%5D=Richard+Vijgen&p%5B17%5D=Dora+Garc%C3%ADa&p%5B18%5D=New+Orleans+Airlift&p%5B19%5D=Aaron+Cezar&p%5B20%5D=Jacques+Derrida&p%5B21%5D=Edvard+Munch&p%5B22%5D=Rugil%C4%97+Barzd%C5%BEiukait%C4%97&p%5B23%5D=Anton+Vidokle&p%5B24%5D=Gilles+Cl%C3%A9ment&p%5B25%5D=Vaiva+Grainyt%C4%97&p%5B26%5D=George+Pemba&p%5B%5D=Claire+Fontaine
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